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Mixing Business with Pleasure – InkedMag


Bouncing bodies sweep the venue as powerful pyrotechnics, animated lighting, and electrifying lasers shroud the crowd. Steve Aoki takes the reins at the mixing console, carefully considering the path to his ultimate purpose: uniting the audience through music — and cake. While each has a unique touch, fans can expect a similar scenario at the copious concerts Aoki performs annually.

“I’ve been on a near-constant tour for over a decade now,” says the famed DJ and producer, who earned the designation of “Most-Traveled Musician in One Year” by Guinness World Records in 2012, which he still holds today.

Although Steve Aoki is known for his electronic dance music, there’s a good chance he collaborated with one of your favorite artists outside the genre: Lady Gaga, Snoop Dogg, Hayley Kiyoko, Ne-Yo, blink-182, and many others.

The two-time Grammy Award nominee and son of Benihana founder Rocky Aoki had the expression “I’ll Sleep When I’m Dead” inked on the nape of his neck — words the musician seems to live by as he shows no signs of slowing down. In April 2024, “HiROQUEST: Genesis & Double Helix,” a comic book created in a collaboration between Aoki and celebrated comic book writer Jim Krueger, hit the market, followed by the release of his newest album in June, all while continuing his perpetual tour around the globe.

Catching up with Aoki between shows, he shares highlights of his life story: his influences, antics, aspirations, and the ink he cherishes most.

Steve Aoki by Mike Portlock

You’re undoubtedly one of the most well-known DJs in the world. What was the driving force that headed you on this career path? When did you start mixing music and what inspired you to do so?

I’ve always been deeply passionate about music and its power to bring people together. Growing up, I was influenced by a wide range of musical genres, from punk rock to hip-hop. My journey into DJing began in my college years at the University of California, Santa Barbara. I started by throwing small shows in my apartment and eventually founded my own label, Dim Mak Records, in 1996. The drive to create and share music that could make people feel something, connect them, and make them dance was what propelled me into this career. Artists like Daft Punk and the early rave scene were huge inspirations for me. The energy and community aspect of the electronic music scene really resonated with me and motivated me to pursue this path.

Describe your creative process. What or who do you use as inspiration when creating your music?

My creative process is dynamic, starting with an idea or feeling I want to convey. I draw inspiration from various sources, including different music genres, everyday sounds, and personal experiences. Collaboration with other artists also sparks new ideas. I aim to create music that evokes emotion and makes people want to move, capturing the essence of a moment and translating it into sound.

What can fans expect from your newest album? How does it differ from previous albums?

Fans can expect my new album in June to be a return to my roots, heavily centered around dance music. This album revisits the core themes that defined my early work, with a strong emphasis on creating tracks that make people move. While it features a wide range of genres, it stays true to the dance music essence. There are also several exciting collaborations with both emerging and well-known artists, adding a fresh twist to the classic dance vibe.

How do you work on new stuff when you’re always on the road? How do you keep things fresh?

To keep things fresh, I try to vary my sets and incorporate new music and visuals. I draw energy from the different cultures and audiences I encounter around the world. Working on new material while on the road can be challenging, but I bring my production laptop with me and take advantage of any downtime. Traveling and experiencing new places provide endless inspiration for my music.
Tell us about the first time you threw a cake at your audience. Why do you think that trend stuck?
The first time I threw a cake at the audience was at a small show where I wanted to do something memorable and fun. It quickly became a signature part of my performances because it’s such a unique and interactive experience for the fans. People love the unexpected and outrageous nature of it. Overall, it’s added a lot of excitement to my shows and has become a tradition that fans look forward to.

Tell us about “HiROQUEST.” What motivated you to create this comic book and what was your role in its development? Can you offer an overview of what the comic book is about?

Creating the “HiROQUEST” graphic novel with Jim Krueger was a dream come true. I’ve always loved comic books and science fiction, and this project allowed me to blend my passion for music and storytelling. I was heavily involved in the creative process, from conceptualizing the story to developing characters. “HiROQUEST” follows a group of unlikely heroes who unite to save their world from impending doom, exploring themes of courage, friendship, and unity.

If your father was still alive, what do you think he would say about your successes? What would stand out most to him? What would you say to him?

If my father were still alive, I think he would be incredibly proud of my successes. He always valued hard work and perseverance, so those qualities in my career would stand out most to him. I believe he would be amazed by the global reach of my music and the diverse projects I’ve undertaken. I would tell him how much his entrepreneurial spirit and work ethic inspired me and how grateful I am for the values he instilled in me.

Was he your inspiration to purchase an all-electric race boat and create a racing team? Tell us about the boat and your team.

Absolutely, my father’s adventurous spirit inspired me to get involved in an E1 boat racing team. The boat is cutting-edge, and my team is passionate about pushing boundaries. We’re excited to compete and show what’s possible with electric power.

Tell us about the Aoki Foundation. What motivated you to start a brain science and research organization?

The Aoki Foundation was created to support brain science and research, which has always been a personal passion of mine. I was motivated by a desire to contribute to scientific advancements that could improve lives and unlock the mysteries of the brain. By funding research and initiatives in this field, I hope to make a positive impact on health and well-being.

How many tattoos do you have and which one(s) do you cherish the most?

I’ve lost count of the exact number of tattoos I have, but each one tells a unique story. The ones I cherish the most are those that represent significant moments or people in my life. For example, I have a tattoo of my mother and father’s family crests on my back, which holds a special place in my heart as a tribute to them and our family legacy.

Do you have any tats in the works, imagined or soon-to-be completed?

Not at the moment, but anything’s possible!

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Unraveling the Tapestry of Able Heart


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“There’s a full spectrum to my music,” Able Heart begins, his voice a mirror to the depth and diversity of his sound. “It started way darker, a lot of things that I went through in life,” he admits, hinting at a past marked by struggles and silence, now vocalized through his art. This spectrum isn’t confined to his music alone; it’s vividly illustrated in the living canvas of his skin.

“I’m blasting over old tattoos,” he shares, a metaphor for his life’s journey. “It’s kind of like my music,” he muses, “You evolve, and your art evolves with you.” His tattoos, once markers of a darker time, are now overlaid with images that reflect the man he’s become: a phoenix rising from the ashes of his past.

His mother’s influence, a constant beacon of support, is immortalized in ink on his skin. “My mom’s lips here,” he points to a seemingly fading tattoo on his forearm, “She always said, ‘You’re able to do anything your heart desires.’ That’s where ‘Able Heart’ comes from.” It’s not just a name; it’s a philosophy, a salute to the limitless potential within each of us.

The transition from a world-class snowboarder to a musician wasn’t without its scars — both physical and emotional. “I used to ride with a company that helped support people that couldn’t pay to travel and go to competitions,” he recounts, a nod to the community that once uplifted him, now mirrored in the Full of Heart Fam group he’s fostering through his music and online presence. The glimmer in his eyes as he speaks about his community only echoes how important the outreach to his fans truly is.

His continued commitment to his fans also comes through in a unique (but also seemingly popular) way. In discussing his virtual concerts, Able Heart’s enthusiasm is palpable. “They’re unique… intimate,” he says, his eyes lighting up. “It’s all about connecting with people, even if it’s through a screen.” This sense of connection, of reaching out and touching lives across the digital divide, is what drives him. “Music is the best funnel… for people listening and being able to resonate with things,” he explains.

Yet, it’s not just about the music or the tattoos; it’s about the journey — his relentless pursuit of happiness, his unwavering belief in the power of manifestation, and his dedication to helping others realize they’re not alone in their struggles. “I care about other people in the sense that, if they see something, I want them to also know that they’re able to do anything their heart desires,” he says, his voice earnest, his message clear.

Able Heart’s tattoos do more than decorate his skin — they tell his story, a narrative of overcoming, evolving, and embracing every facet of his being. From the sonic depths of his darkest hours to the vibrant beats of his brightest moments, his life is a testament to the power of resilience.

As we trace the contours of his tattoos, we’re not just observing art; we’re reading chapters of a living, breathing autobiography, one where every line, every note, and every cover sings of a heart that’s truly able.

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Ángel Manuel Soto – InkedMag


Ángel Manuel Soto is a cinematographic rebel with a cause–a visionary who sees many similarities amidst his background, before the fame, and the protagonists that he has brought to life on the big screen with films such as Blue Beetle (2023). The success story behind this story-teller has been shaped by a litany of risky decisions during his upbringing as a poverty-stricken teen on the streets of San Juan, Puerto Rico. Instances like trespassing onto reggaeton music video sets for a BTS look at professional film production and shoplifting a novel written by Robert Rodriguez called Rebel without a Crew from Borders bookstore (Soto and Rodriguez would go on to share a laugh about this incident years later upon an introduction) are standout moments from his ascension over the years. But perhaps the most career-defining gamble he has made thus far was when he chose to permanently alter the pigment particles on both of his hands with microscopic drops of ink. Soto procured a tattoo on his right hand from an artist named Juanky (Employed at Senzala Tattoo & Body Piercing) back in 2010. Three years later, he enlisted the services of  Juan Salgado (Owner of Color Conspiracy Tattoo Gallery) to complete a tattoo design on his left hand.

“I got my hands tattooed as a guarantee to myself thinking, ‘Now you have to make it work because nobody’s going to hire you now,’” Soto recalled. “’Nine to five jobs in an office? You’re not going to get that because you have tattoos that are visual.’ It was a motivation to keep me from conforming [because filmmaking] is all I wanted to do.”

Eventually, Soto’s riskiness paid off. Subsequently, nearly a decade and a half of hustling as a freelance director in the Caribbean and stateside resulted in his independent film La Granja (2015) landing on the radar of Tim League (founder of the Fantastic Fest), who then offered him a premiere at his annual film festival in Austin, Texas. The critically acclaimed sports drama garnered attention from Javier Alvarado, an agent with CAA who went on to become his manager.

Years after relocating to Los Angeles, the Puerto Rican native returned to his home island in May of 2022 to make his breakthrough film, Blue Beetle. The full-circle moment added $20 million to Puerto Rico’s economy while also manufacturing nearly $76 million worth of jobs, some of whom included friends and crew members from his arthouse film La Carta (2010). Now, the same hands that used to slap basslines for the ska-punk band known as Los Chéveres in the late 1990s are writing scripts, roll cameras, and closing clapperboards for a wide variety of Hollywood’s biggest motion pictures.  You cannot depict Soto’s timeline as an aficionado in moviemaking without conveying his passion for tattoos because they go hand in hand.

At first glance, Soto looks like more of a rock star than a filmmaker who spends much of his time out of the limelight. His long hair and black fingernail polish are supplanted only by the tattoos that cover nearly half of his upper body. Soto’s introduction to tattoo needles and round shaders occurred during the year 2000, when FIBZ, an artist from Wizz Tattoo, inked a Dave Quiggle-styled crucifix on his right forearm. Nearly twenty-five years later, the 41-year-old from the Santurce neighborhood of San Juan frequents a pair of his countrymen named  Javier “Che” Rivera (Owner of Tattoos by Che) and Juan Salgado (Owner of Color Conspiracy Tattoo Gallery) to conduct the long tattoo sessions that he compares to therapy. The theme on his body carries a traditional Caribbean undertone with engravings, Catholic Nautical sensibilities, and random patches throughout his arms and upper torso. Soto and his wife also frequent Sashatattooing Gallery Co-Owner and Artist Nora Lyashko when he is stationed in L.A. for filming.

 

Blue Beetle

“I think I’ve done all of [my tattoos] around the island,” Soto said. “The biggest ones have been with Che and Juan Salgado, who has already called dibs on my back (laughs). I don’t have anything there yet. I’m trying to do something with that Juan Salgado style, but I want to do it with black and grey…My left arm is all patched with an engraved aesthetic…the theme is mostly about letting go of things that keep you from growing while moving onward with what gives you strength. And my neck tattoo is from Nora. My wife has a sleeve from her.”

Nora tattooed a peony flower on Soto’s neck shortly after Charm City Kings (2020), starring Meek Mill and Jahi Di’Allo Winston, wrapped filming during 2018 in Baltimore, Maryland. Additionally, Soto, his Director of Photography Katelin Arizmendi, and the camera operator Stewart Cantrell all inked themselves with friendship tattoos, inspired by the 12 O’Clock Boys, the dirt bike riders from their movie, during the production phase. Soto’s tattoo is a Molotov cocktail that says, “12XII.” Around that time, he also procured an inner lip tattoo of the word “help.” In a recent interview with Inked Magazine, Soto revealed that it was a light-hearted response to his wife, whom he says is already starting to outnumber him in tattoos, for playfully encouraging the concept after he floated the idea.

Soto’s most elaborate tattoo is a chest was completed by an artist named Omar Velazquez in 2013. It includes a script that reads, “Honor, Lealtad, Respeto.” Like many ink enthusiasts, he’s also the owner of a “drunk tattoo.” The whimsical memento was completed by José Guerra at the Harisumi Tattoo Studio in San Juan, Puerto Rico. Guerra inked the word “true” just above the fingers on Soto’s right hand. It may take a while for his filmography to surpass his growing tattoo collection. However, Soto has indicated that he would like to add anime, romantic comedies, Western movies, and horror movies to his repertoire someday.

 

Soto is currently in Los Angeles, preparing for Wrecking Crew, a buddy-comedy starring Jason Momoa and Dave Bautista. Although pre-production has kept him busy, he is already thinking of his next tattoo.

 “The next one is a face tattoo, but my wife is like, ‘no’ (laughs); I’ve always wanted something little [on my face], like the 787 area code of Puerto Rico next to my eyebrow,” Soto said. “Or my mom and father’s initials.”

He added, “There are a couple of things that are very iconographical from our Puerto Rican revolutionary legacy. But what I like the most is a native name for Puerto Rico besides ‘Borinquen,’ and it’s ‘Oubao Moin.’ That means ‘Island of Blood.’ It was a name that the Taínos (the indigenous people of the island) called it. I’ve always liked that way of honoring our ancestors.”



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An Original, Original  – InkedMag


Located on the Sunset Strip, Mark Mahoney’s Shamrock Social Club might be best described as a place where the elite and the underworld meet. A hangout for his celebrity friends, or a drop-in for anyone looking to ink an occasion with his classic black and gray aesthetic. The shop might as well be a confessional as those who sit and listen to his calm, cool drawl call him “Priest.”

The first time he walked into a tattoo shop at 14 years old, he knew he wanted to spend his life as a tattoo artist. The look, smell, artwork, and groups of outsiders always appealed to him.

“I was always attracted to counterculture,” Mahoney said.

Born and raised near Boston, Mahoney left art school in the mid-70s with his eye on Manhattan. He spent time tattooing bikers and outlaws before he met his people at the Chelsea Hotel. He once beat up a member of the Ramones at CBGB, and got stoned with William Burroughs and Allen Ginsburg before seeing his friend Nancy Spungen off to London. When she came back, she brought Sid Vicious.

He moved to LA in 1980 and made friends with punk rockers and gangbangers. He ran with movie stars and musicians, and shot dope with intellectuals and degenerates. He’s a dying breed of 100% true originals and calls Johnny Depp, Lady Gaga, and Lana Del Rey friends.

He landed roles in a few movies, including playing a cool, Catholic, well-dressed man of many talents — not much of a stretch from his roots when he looked up to local heroes, gangs, and villains in his neighborhood. He thought about the priesthood as a young man, saying his prayers, following most rules, and trying to live up to expectations as a New England-born boy who loved motorcycles, leather jackets, and greasers from car magazines.

Most people will tell you his reputation and caring spirit extend beyond the famous to the infamous and unfamous alike. His shop is like a clubhouse for anyone looking to mark the good, bad, and ugly chapters of their lives. Mahoney sets the blueprint of what is cool and is a muse for creatives all over the world. If you’ve been in a tattoo shop recently, it’s probably built around the framework he and his colleagues laid down in the past half-century.

After almost 50 years of work, he routinely visits and catches up with old friends, even tattooing their children and grandchildren — imparting wisdom on ways to connect, meet likeminded people, sit, listen, and talk. “I think they keep coming back because I give a fuck,” Mahoney said. “Their pain is my pain; their joy is my joy.”

The shop is decorated with images of hope and faith: relics of a time gone by, a quote overlooked, and a tribute to his Catholic upbringing. Faith plays a big role in his life, and he never gives up on the idea — putting all his trust and confidence into something underground, misunderstood, and illegal until not that long ago.

Mahoney has a lot of reasons to love his job. His shop is in the middle of Hollywood, along one of the most iconic strips in the world. He spends time with people who kept coming back and are now lifelong friends. He goes to work every day, does his job, and makes a living, but doesn’t consider himself an artist and isn’t concerned with the art side of his pursuits. He sees his single-needle, black-and-gray designs the same as he sees black-and-white photography or movies: an idea etched in time that gets softer and more beautiful. 

“I think black and gray ages more gracefully,” Mahoney said. “It has more drama to it.”

The clubhouse moved from its original location to 1114 Horn Ave in West Hollywood, just down the strip. Mahoney also started a clothing line called the Shamrock Social Club Collective that features his original designs screen printed on classic styles, the type of clothing you might expect anyone to wear in a tattoo shop.

Mahoney continues to keep tattoos affordable for everyone, not opting for a private studio and thousand-dollar designs. He’s still a modest tattooer inspired by the beauty he sees all around him. He believes in friendships, family, and the power to connect with clients over the good times, hard times, and everything in between.

“Tattoos are a joint effort,” Mahoney said. “Connection is the most important part.”

Don’t let the alligator shoes and vintage Cadillacs fool you — Mahoney believes in the power of connection; it’s what keeps him coming back. He’s one of the original outsiders, teaching the next generation and beyond about the power of being yourself, staying true, and authentic, and not following trends. When you lived through the 70s punk scene, the obnoxiousness of the 80s, and the death of originality, you look for what’s real, with true friends.

Appointments can be made by contacting the Shamrock Social Club at 310-271-9664. There is a bit of a waitlist, but you can expect the highest quality work, the finest conversation, and, if you’re up for it, a place to confess all your sins. Then, just sit back, watch a master, pay your respects, and believe in that power that faith brought you together with the Godfather.

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admin published in Hottest Tattoos

An Original, Original  – InkedMag


Located on the Sunset Strip, Mark Mahoney’s Shamrock Social Club might be best described as a place where the elite and the underworld meet. A hangout for his celebrity friends, or a drop-in for anyone looking to ink an occasion with his classic black and gray aesthetic. The shop might as well be a confessional as those who sit and listen to his calm, cool drawl call him “Priest.”

The first time he walked into a tattoo shop at 14 years old, he knew he wanted to spend his life as a tattoo artist. The look, smell, artwork, and groups of outsiders always appealed to him.

“I was always attracted to counterculture,” Mahoney said.

Born and raised near Boston, Mahoney left art school in the mid-70s with his eye on Manhattan. He spent time tattooing bikers and outlaws before he met his people at the Chelsea Hotel. He once beat up a member of the Ramones at CBGB, and got stoned with William Burroughs and Allen Ginsburg before seeing his friend Nancy Spungen off to London. When she came back, she brought Sid Vicious.

Inkedshop

He moved to LA in 1980 and made friends with punk rockers and gangbangers. He ran with movie stars and musicians, and shot dope with intellectuals and degenerates. He’s a dying breed of 100% true originals and calls Johnny Depp, Lady Gaga, and Lana Del Rey friends.

He landed roles in a few movies, including playing a cool, Catholic, well-dressed man of many talents — not much of a stretch from his roots when he looked up to local heroes, gangs, and villains in his neighborhood. He thought about the priesthood as a young man, saying his prayers, following most rules, and trying to live up to expectations as a New England-born boy who loved motorcycles, leather jackets, and greasers from car magazines.

Most people will tell you his reputation and caring spirit extend beyond the famous to the infamous and unfamous alike. His shop is like a clubhouse for anyone looking to mark the good, bad, and ugly chapters of their lives. Mahoney sets the blueprint of what is cool and is a muse for creatives all over the world. If you’ve been in a tattoo shop recently, it’s probably built around the framework he and his colleagues laid down in the past half-century.

After almost 50 years of work, he routinely visits and catches up with old friends, even tattooing their children and grandchildren — imparting wisdom on ways to connect, meet likeminded people, sit, listen, and talk. “I think they keep coming back because I give a fuck,” Mahoney said. “Their pain is my pain; their joy is my joy.”

Inkedshop

The shop is decorated with images of hope and faith: relics of a time gone by, a quote overlooked, and a tribute to his Catholic upbringing. Faith plays a big role in his life, and he never gives up on the idea — putting all his trust and confidence into something underground, misunderstood, and illegal until not that long ago.

Mahoney has a lot of reasons to love his job. His shop is in the middle of Hollywood, along one of the most iconic strips in the world. He spends time with people who kept coming back and are now lifelong friends. He goes to work every day, does his job, and makes a living, but doesn’t consider himself an artist and isn’t concerned with the art side of his pursuits. He sees his single-needle, black-and-gray designs the same as he sees black-and-white photography or movies: an idea etched in time that gets softer and more beautiful. 

“I think black and gray ages more gracefully,” Mahoney said. “It has more drama to it.”

The clubhouse moved from its original location to 1114 Horn Ave in West Hollywood, just down the strip. Mahoney also started a clothing line called the Shamrock Social Club Collective that features his original designs screen printed on classic styles, the type of clothing you might expect anyone to wear in a tattoo shop.

Mahoney continues to keep tattoos affordable for everyone, not opting for a private studio and thousand-dollar designs. He’s still a modest tattooer inspired by the beauty he sees all around him. He believes in friendships, family, and the power to connect with clients over the good times, hard times, and everything in between.

“Tattoos are a joint effort,” Mahoney said. “Connection is the most important part.”

Don’t let the alligator shoes and vintage Cadillacs fool you — Mahoney believes in the power of connection; it’s what keeps him coming back. He’s one of the original outsiders, teaching the next generation and beyond about the power of being yourself, staying true, and authentic, and not following trends. When you lived through the 70s punk scene, the obnoxiousness of the 80s, and the death of originality, you look for what’s real, with true friends.

Appointments can be made by contacting the Shamrock Social Club at 310-271-9664. There is a bit of a waitlist, but you can expect the highest quality work, the finest conversation, and, if you’re up for it, a place to confess all your sins. Then, just sit back, watch a master, pay your respects, and believe in that power that faith brought you together with the Godfather.

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The Notorious Renaissance – InkedMag


In the realm of modern-day prize fighters, one name reigns supreme: Conor McGregor. As McGregor embarks on his latest adventure in Hollywood, stepping into the villainous role of Knox in Road House with characteristic aplomb, he brings a wealth of experience and passion. With his chiseled physique, steely gaze, and undeniable charisma, McGregor electrifies audiences, making a smashing mark on the silver screen.

McGregor’s aura doesn’t end with his tattoos or legendary UFC stats. From the iconic tiger sprawled across his abdomen to intricate designs adorning his arms, McGregor’s ink goes beyond body art, a visual tribute to his journey and unyielding spirit.

What makes his leap from the ring to the reel so intriguing? It’s more than the mere allure of a cool celebrity crossover. It’s a testament to the ever-evolving landscape of entertainment, where boundaries between sport, entertainment, and lifestyle blur to transcend convention. His journey from the gritty streets of Dublin to the glitz of Hollywood speaks volumes about the power of unflinching self-belief. Buckle up and brace yourself as McGregor unleashes his inimitable brand of magic.

SP: Your journey from MMA fighter to cast of Road House is remarkable given your working-class Dublin street-cred roots. I’m sure you have turned down multiple movie roles in favor of this robust opportunity to remake an iconic film. What did Director Doug Liman say to you to get you fired up?

CM: Doug and producer Joel Silver presented the total package. First off, I’m a big fan of Patrick Swayze and the original Road House. Hearing Jake Gyllenhaal was involved, alongside Billy Magnussen, that really pricked my ears up — the opportunity to join an amazing cast. Shooting in the Dominican Republic, with the backing of Amazon Prime and MGM Studios —that was a big draw too. Then there was sheer lucky timing. [I was] recovering from an injury from my last contest, so I had time off to allow for the shoot.

SP: As someone known for their fierce competitiveness, how did you temper down your inherent “alpha-ness” to embrace collaborative engagement with castmates?

CM: We had an amazing team that encouraged me to add my flair in the right places. That was key. Action director and stunt coordinators Garrett Warren and Steve Brown gave us lots of free reign — they laid the foundations and the bricks, then we added our own throttle and drama to it. They were so receptive and gave us so much confidence with doing that, that we continued to evolve the action sequences every step of the way.

CONOR MCGREGOR stars in ROAD HOUSE Photo: LAURA RADFORD © AMAZON CONTENT SERVICES LLC

SP: Road House is a beloved cult classic. Tell us about a meaningful scene that made it into the final cut — where you feel you truly embodied the Knox character.

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CM: Right off the jump, busting into the roadhouse, I wanted to establish the character in an impactful way. Each time I added a layer to this “man about his business,” and I had a clear objective. You know it’s all business and pleasure with Knox, and that was really fun to play up in key scenes.

SP: Jake’s take on Dalton is much more philosophical than just a guy with a moral compass. In the original, Dalton is a bouncer with a sense of justice. How do you think Swayze’s 1989 rendition of Dalton would fare in 2024?

CM: Jeez, not so well. He probably wouldn’t last too long. This is why you see a more complex, sinister side of Dalton. Total credit to Doug Liman for reimagining this character for a new generation. It wasn’t written in the script this way; the Dalton character evolved as we shot, deepening as Doug got a sense of the way Jake and I amplified the conflict when we went head-to-head. Doug suddenly saw a wild look in Jake’s eyes that he wanted to draw out more, exploring darker shades. I was fascinated by this, that the mood could veer off in interesting directions based on chemistry the director sees on set.

SP: That must have been cathartic, sensing the movable feast of a moment on set. The film industry often requires actors to undergo physical transformations for roles. Since you didn’t have to “get ripped” for Road House, what out-of-your-comfort-zone challenge would you welcome leaning into for a deeper acting role? Singing, surfing, dancing, drumming… anything come to mind?

CM: I’m open to it all. My life experiences lend well to any role. I look at my life and feel I’m so far removed from reality at times, so why wouldn’t I give a new challenge a shot? Sometimes I feel like I’m an animal in the zoo, you know? No one really knows the real Conor. They’ve got estimations and assumptions, but that’s it. Let’s see what happens. Maybe more acting projects down the line, but right now it’s back to the fight game for me.

SP: When I saw how intricate, visceral, and “full send” the Road House fight sequences played out, I was gobsmacked, thinking… this is how McGregor gets over an injury? Ironically, your UFC trainer has to “protect you from fake fighting” in order for you to crush it on your return to the octagon. Were there any specific stunts that your trainer or attorney forbade you from engaging in on the set of Road House?

CM: No, nothing was officially off-limits. I do all my own stunts.

SP: Seriously? Even enduring simulated body blows and leg sweeps? Would you say you did 50 or 60% of the stunts that made it to the final cut?

CM: I’d say 98%. I was pretty much healed from the injury, but not to the point of returning to competition. The only thing they wouldn’t let me do was the scene where I fell backward down a flight of stairs.

SP: I’m glad they drew the line at the catastrophic stair crush.

CM: On the heavy fight choreography days, they had stunt doubles standing by at the ready. I just really didn’t think the guys looked like me, so I did it myself.

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SP: I suppose that’s your “quality control” on the image and likeness front.

CM: Exactly. I was invested in the outcome at every stage.

SP: I assumed a team of lawyers would have had a list of 20 things that you’re forbidden to do.

CM: They do have a short list, but not for what happens on movie sets.

SP: You have come of age in the UFC arena — rewritten the rules and broken ceiling after perceived ceiling. After such a long and storied association with the league, straight up, what’s your take on Dana White?

CM: Height of respect for Dana. No Dana White, no UFC. He was all in — the boots-on-the-ground foot soldier working 24/7 from inception to rise and is still very hands-on as CEO.

SP: Your animalistic hype screams are legendary and rally up your most loyal fans. To me, it sounds like one part saber tooth tiger to two parts silverback gorilla. What hybrid beast or primal energy are you channeling in that moment?

CM: Gorillas! Check out my upper chest tat. This is my beast mode — my gym’s logo is my version of a gorilla. Straight up, when the silverback sounds, I’m gonna throw down. I channeled this famous image of a Siberian tiger diving for meat when we filmed the insane speedboat fight scene in the Atlantic Ocean. There’s a moment when I have to dive right down, practically into the camera lens to get that effect.

SP: I bet that scene got a visceral reaction at the South by Southwest premiere.

CM: They let out a roar for that one, yeah. Boom!

SP: The Dominican Republic has pretty solid nightlife options. Share memorable behind-the-scenes male bonding moments with co-stars Jake, Billy, and Post Malone that filming fans may get a kick out of.

CM: The most memorable bonding for me was the afterparty at SXSW. That was just wild; we partied till dawn. I made compadres for life on this movie. That we’re all in it together is the most powerful part of it all.

SP: Tell us about the temporary tattoos you sported for this movie. How did the special effects ink help get you into character?

CM: It helped greatly, you know, psychologically, in terms of embodying this hard-as-nails badass. An hour and a half in the chair every day on set, and “Knock-Knox” became the big thing. I actually love the character’s tattoos. The back tattoo was very cool.

SP: As one of the most-followed UFC fighters on social media with more than 70 million followers, what do you consider the most meaningful purpose that you used your social media platform for?

CM: Showing people a positive outlook on life, despite what you’re facing. For me, it’s about promoting positivity. You know, fun and happiness. I try to show fans a glimpse of my life.

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Truly Painless Tattoos – InkedMag


Tattoos have become exponentially popular over the past few years, with people seeking unique and meaningful ways to express themselves. While the process of getting a tattoo typically involves some discomfort, an emerging trend has caught the attention of both enthusiasts and skeptics alike—going under anesthesia for a painless tattoo experience. This article will explore the concept of using anesthesia during tattoo procedures, discussing its pros, cons, and the potential risks involved. We went to Artem Bor, a CRNA, MSN, APRN of Elite Anesthesia Ink and Romeo Lacoste, a world renown tattooer of The California Dream Tattoo Shop for their input on the matter.

Understanding Anesthesia 

Anesthesia is a medical technique that aims to induce a temporary state of unconsciousness or numbness to relieve pain during surgical or medical procedures. It involves the use of various medications, often administered by an anesthesiologist, to achieve the desired effect. While anesthesia is commonly used in major surgeries, its application in the context of tattoos raises ethical and safety concerns.

Artem Bor (CRNA, MSN, APRN) of Elite Anesthesia Ink explains that client safety is their top priority. They predominantly use moderate IV sedation anesthesia. With moderate IV sedation, the client is in deep sleep, breathing spontaneously with supplemental oxygen. Bor continues that they utilize American Society of Anesthesiologists (ASA) standard monitors, including continuous EKG, oxygen blood saturation and blood pressure, and continuous vigilance from a professional, licensed anesthesia provider who continually watches and monitors the client.

Before going under, clients must complete and pass a pre-anesthesia/medical clearance. Based on the client’s clearance and ASA score, Bor’s team then determines the safest anesthesia for the client. In some cases, clients with an overweight BMI may not handle sedation well, requiring general anesthesia—this is when the anesthesia provider assists with breathing. Bor delineates that his team prefers to use MAC anesthesia—this is when the client is deep asleep and breathing spontaneously. The American Society of Anesthesiologists offers a detailed chart that Bor and his team refer to in order to ensure their client(s) aren’t falling into the categories that prohibit them from being placed under anesthesia. If the client does fall into these categories, they are considered “high risk” and are not eligible for the service and ultimately will not be able to use it.

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The Appeal of Painless Tattoos 

Pain tolerance varies from person to person, and while many individuals embrace the pain as part of the tattoo process, others find it unbearable. The appeal of painless tattoos through anesthesia lies in the promise of a comfortable and stress-free experience. When the area is numbed, the procedure can be performed without any significant discomfort, allowing individuals with low pain thresholds or medical conditions to enjoy the benefits of body art. We asked Romeo Lacoste what he thought about the stigma of being tattooed under anesthesia as “taking the easy way” and he responded with, “Everyone is entitled to their own opinion, but there is probably something to learn from those who work so hard to afford these sorts of luxuries. If you can afford the additional cost for anesthesia, be healthy enough to endure the procedure and healing process, I honestly don’t see why anyone else’s opinion would matter.”

Lacoste maintains that tattooing clients under anesthesia is something that sets him and his team apart from others in the tattoo industry. He’s never been one to concern himself with what “the norm” is or what everyone else is doing. Lacoste continues that he personally would have never achieved a fraction of what he has in his career if he simply followed what the next artist or shop was doing. With that being said, this sort of collaboration has proven to be quite fulfilling for him and his team. He feels it might be an unpopular opinion in tattooing, but together everyone can achieve more. Furthermore, Lacoste states it’s “truly rewarding when you work with others towards a common goal. We all get the credit in a collaborative way and when you’re doing something like this with the right people, it is enough.”

Timing and Limitations 

The first thought one may have in regard to getting a tattoo under anesthesia is, “how long?” How long can you be under, how long is too long, how short is too short, are there any issues with either? Bor gave us an anesthesiologist’s insight on the best timeframes and options. He simply states that there is no limit to the amount of tattooing when the client is asleep. From an anesthesiologist’s point of view, what matters is the duration of time the client is under anesthesia.

For example, by law in the state of Florida, a client cannot be anesthetized for more than eight hours in an outpatient setting (surgery center). Any procedure requiring anesthesia for over eight hours must be done in a hospital setting. At Elite Anesthesia Ink, they provide anesthesia services for a maximum of eight hours. Alternatively, Bor stated that they can also safely and easily provide anesthesia for as little as a one-hour session. But when it comes to the payment aspect, Bor clarified that unfortunately, the logistics (for a one-hour session) are not profitable for their company financially. This is something he said they’re working on, but for the time being, they must charge for a four-hour minimum, the justification being for the logistics of the medical center and anesthesia team setup. It takes time to evaluate a client, obtain clearance, set up an anesthesia plan, have an anesthesia provider, recovery team, etc. As of right now, getting tattooed under anesthesia continues to be a luxury of the opulent.

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Safety Concerns and Precautions 

  1. Choosing Qualified Professionals: Anesthesia-assisted tattoo procedures should only be performed by licensed and experienced medical professionals, such as anesthesiologists or nurse anesthetists, collaborating with skilled tattoo artists.
  2. Comprehensive Medical Evaluation: Individuals considering anesthesia for their tattoos must undergo a thorough medical evaluation to assess their suitability and identify any potential contraindications.
  3. Informed Consent: Prior to the procedure, individuals must fully understand the risks, benefits and alternatives associated with anesthesia-assisted tattoos, giving informed consent based on their own judgment.

The Importance of Proper Aftercare 

After receiving an anesthesia-assisted tattoo, proper aftercare becomes crucial. The recovery process may differ from traditional tattoos, and individuals must follow the given instructions meticulously to avoid complications such as infection or delayed healing.

During our interview, Bor commented that with regard to healing and amount of area covered, their establishment does not recommend, for example, a full-body suit done in eight hours. Bor continues that this would cause the body to have a challenging recovery with increased risks of stress, infection, etc. because the area that is healing is so large. Instead, they partner directly with the client, tattoo artist, and anesthesia team to decide the safest amount of ink/time per session. This decision is highly individualized and tailored to each client.

Furthermore, Bor explains that a tattoo is considered “an open skin wound” and that anesthesia IV sedation (the method they use) doesn’t affect the healing process and helps with pain management during the tattoo process. Elite Anesthesia Ink provides specific instructions for proper aftercare as well as what to expect during the healing process. Below are examples of recovery expectations:

   – Expect significant swelling, bruising, and tenderness for the first 3-5 days.

   – Use ice packs to help reduce swelling.

   – Take over-the-counter pain medication as directed to manage discomfort, avoiding aspirin which can increase bleeding.

These are just a few examples. If you already have tattoos, then you understand that these guidelines are exactly what you follow while healing any tattoo, showing us that going under anesthesia for a tattoo doesn’t necessarily affect the healing process as some have previously thought.

The trend of going under anesthesia to get a tattoo offers a novel solution for those who find the pain unbearable or have medical conditions preventing them from undergoing traditional tattooing methods. While it comes with advantages such as pain management and increased accessibility, the use of anesthesia in tattooing also presents risks and ethical considerations. Ultimately, the decision to pursue anesthesia-assisted tattoos should be made after careful consideration, weighing the potential benefits against the associated risks, ensuring the involvement of qualified professionals, and prioritizing overall safety and wellbeing.

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Headrush Tattoos Never Lets You Settle for Less


Clients can expect only the best art, care and atmosphere from Saskatoon’s finest

In recent years, the invigorating city of Saskatoon, Canada, has been the place to be for tattoo expression. Among all its shops, Headrush Tattoos is setting the bar for excellence. Here, you’ll find tattooers specializing in everything from black-and-grey to color realism, traditional Japanese to geometric and so much more. Each having forged their own unique path to tattooing, Headrush’s artists are committed to providing a standout experience to all. We sat down with four of Headrush’s tattoo artists to get a deeper insight into how the shop came to life and what makes it so exceptional.

Can you introduce yourselves?

Russell Racho: My name is Russell Racho. I’m Filipino-Japanese and have been tattooing for the past 28 years.

Bryan Dometita: I am Bryan Dometita, I was born in the Philippines. 

Wiggy: My name is Wiggy and I’ve been tattooing for 20+ years. I’m an Indigenous tattoo artist from Beardy’s, Saskatchewan.

Jonathan: I’m Jonathan from Cebu, Philippines. I have been tattooing for eight years.

What drew you into the world of tattooing?

Russell: I have been an artist almost all my life. It started with drawing and eventually my brother introduced me to tattooing. What drew me to tattooing is the ability to showcase one’s freedom of expression through the use of tattoo art.

Wiggy: I’ve been an artist since I was 6. My uncle Darwin introduced me to the world of art. I thought tattoos were badass and super cool—it is the ultimate medium to represent one’s individuality. 

Bryan Dometita
Bryan Dometita
Bryan Dometita

 

What’s the tattoo scene like in Saskatoon?

Russell: The tattoo scene in Saskatoon is growing at an incredible rate we have not seen before. The population in Saskatoon is also quite diverse, so as an artist, this allows us to work with different types of tattoo discipline. Sleeves, leg wraps and realism are big at the moment.

Bryan: Realism scenery [is popular]. As we know, Saskatchewan has a ton of beautiful nature.

Can you tell us about Headrush Tattoos? What attracted you to this tattoo shop? 

Russell: Headrush is a highly recommended place because of the atmosphere it provides, the artistic level and the accountability of everyone that works here. Firstly, I feel like this is my second family. Secondly, [I appreciate] the support of the business owners to make sure I have clients and am surrounded by great artists that share the same goal to create great art. It keeps me on my toes and [makes me] bring my A game every day.

Jonathan Burgos
Jonathan Burgos
Jonathan Burgos
Jonathan Burgos
Jonathan Burgos

How does working at Headrush allow you to explore your artistic strengths?

Jonathan: When you work in a studio with artists who specialize in styles you do not specialize in, it brings out the best in you, while at the same time you’re learning from artists who are the best in styles you’re weaker in. For example, color realism comes naturally to me whereas Japanese body suits are foreign to me. Being able to work alongside an artist like Russell, who is known worldwide for his Japanese body suits, is not only a privilege but an opportunity for me to grow and learn from one of the best in that style. 

What do you hope to provide clients with at Headrush? How does the shop create a positive experience for clients?

Bryan: I want to provide them with inspirational pieces and memories that will last a lifetime. I would like to give our clients a safe, welcoming experience and environment at our shop.

Russel
Russel
Russel

Russell: Each client I work with, I go all out to make sure they go home happy with the designs and their experience with the tattoo session. I also go through the most important part—the aftercare—with them. I hope to provide them with the experience they fully deserve because getting a tattoo is a life decision.

What do you think brought all of the artists at Headrush Tattoos together? 

Jonathan: For me, I think it’s because the studio holds a higher standard for artists; we all recognize the skill level of each other. Tattooing is a game where you’re learning forever. So no matter how good you are, there is an artist that can teach and mentor you in the style they are strong in. This is the first time I have seen this and I find it very unique. We all know where we are on our team. 

What should we keep a lookout for from Headrush Tattoos?

Wiggy: We’re always doing bigger, better and nicer projects. Our artists educate themselves on new techniques and we grow together as a team. Don’t settle for less! 

Wiggy
Wiggy
Wiggy
Wiggy
Wiggy
Wiggy
Wiggy



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