Tattooed

An Original, Original  – InkedMag


Located on the Sunset Strip, Mark Mahoney’s Shamrock Social Club might be best described as a place where the elite and the underworld meet. A hangout for his celebrity friends, or a drop-in for anyone looking to ink an occasion with his classic black and gray aesthetic. The shop might as well be a confessional as those who sit and listen to his calm, cool drawl call him “Priest.”

The first time he walked into a tattoo shop at 14 years old, he knew he wanted to spend his life as a tattoo artist. The look, smell, artwork, and groups of outsiders always appealed to him.

“I was always attracted to counterculture,” Mahoney said.

Born and raised near Boston, Mahoney left art school in the mid-70s with his eye on Manhattan. He spent time tattooing bikers and outlaws before he met his people at the Chelsea Hotel. He once beat up a member of the Ramones at CBGB, and got stoned with William Burroughs and Allen Ginsburg before seeing his friend Nancy Spungen off to London. When she came back, she brought Sid Vicious.

He moved to LA in 1980 and made friends with punk rockers and gangbangers. He ran with movie stars and musicians, and shot dope with intellectuals and degenerates. He’s a dying breed of 100% true originals and calls Johnny Depp, Lady Gaga, and Lana Del Rey friends.

He landed roles in a few movies, including playing a cool, Catholic, well-dressed man of many talents — not much of a stretch from his roots when he looked up to local heroes, gangs, and villains in his neighborhood. He thought about the priesthood as a young man, saying his prayers, following most rules, and trying to live up to expectations as a New England-born boy who loved motorcycles, leather jackets, and greasers from car magazines.

Most people will tell you his reputation and caring spirit extend beyond the famous to the infamous and unfamous alike. His shop is like a clubhouse for anyone looking to mark the good, bad, and ugly chapters of their lives. Mahoney sets the blueprint of what is cool and is a muse for creatives all over the world. If you’ve been in a tattoo shop recently, it’s probably built around the framework he and his colleagues laid down in the past half-century.

After almost 50 years of work, he routinely visits and catches up with old friends, even tattooing their children and grandchildren — imparting wisdom on ways to connect, meet likeminded people, sit, listen, and talk. “I think they keep coming back because I give a fuck,” Mahoney said. “Their pain is my pain; their joy is my joy.”

The shop is decorated with images of hope and faith: relics of a time gone by, a quote overlooked, and a tribute to his Catholic upbringing. Faith plays a big role in his life, and he never gives up on the idea — putting all his trust and confidence into something underground, misunderstood, and illegal until not that long ago.

Mahoney has a lot of reasons to love his job. His shop is in the middle of Hollywood, along one of the most iconic strips in the world. He spends time with people who kept coming back and are now lifelong friends. He goes to work every day, does his job, and makes a living, but doesn’t consider himself an artist and isn’t concerned with the art side of his pursuits. He sees his single-needle, black-and-gray designs the same as he sees black-and-white photography or movies: an idea etched in time that gets softer and more beautiful. 

“I think black and gray ages more gracefully,” Mahoney said. “It has more drama to it.”

The clubhouse moved from its original location to 1114 Horn Ave in West Hollywood, just down the strip. Mahoney also started a clothing line called the Shamrock Social Club Collective that features his original designs screen printed on classic styles, the type of clothing you might expect anyone to wear in a tattoo shop.

Mahoney continues to keep tattoos affordable for everyone, not opting for a private studio and thousand-dollar designs. He’s still a modest tattooer inspired by the beauty he sees all around him. He believes in friendships, family, and the power to connect with clients over the good times, hard times, and everything in between.

“Tattoos are a joint effort,” Mahoney said. “Connection is the most important part.”

Don’t let the alligator shoes and vintage Cadillacs fool you — Mahoney believes in the power of connection; it’s what keeps him coming back. He’s one of the original outsiders, teaching the next generation and beyond about the power of being yourself, staying true, and authentic, and not following trends. When you lived through the 70s punk scene, the obnoxiousness of the 80s, and the death of originality, you look for what’s real, with true friends.

Appointments can be made by contacting the Shamrock Social Club at 310-271-9664. There is a bit of a waitlist, but you can expect the highest quality work, the finest conversation, and, if you’re up for it, a place to confess all your sins. Then, just sit back, watch a master, pay your respects, and believe in that power that faith brought you together with the Godfather.

Singing for the Misfits – InkedMag


We’re all looking for somewhere to belong. It’s human nature: we need connection, community, and belonging to maintain our well-being. In a world where authenticity can sometimes feel elusive, Ashley McBryde is the lighthouse we’re all searching for. Through her vocals, raw storytelling, and direct actions, she champions the importance of belonging and community, fostering connections that transcend beyond the music industry.

McBryde is one of the most acclaimed country artists to emerge within the past few years. She received six Grammy Awards nominations with one win, one Country Music Awards (CMA) trophy, three Academy of Country Music (ACM) awards, and one nomination for a Daytime Emmy. With success like that, it’s easy to enter a self-obsessed bubble. But McBryde is still badass and a true girl’s girl. She sets the record straight:I know it can seem like women in country music are catty. We are not. We want you here. We party together. Come on over.”

Growing up as the youngest of six kids, music was always part of McBryde’s life. “I’ve been singing since I was old enough to know that they were throwing shoes at me trying to get me to shut up,” she jokes. With influences like Dolly Parton, Patty Loveless, and Trisha Yearwood, McBryde was surrounded by powerhouse female artists who shaped her musical journey.

McBryde found belonging in music, in storytelling, and with audiences. “I remember when I was little, I was really shy and I didn’t want to talk to people, but I could sing to them,” she reflects. Music has served as a gateway to human connection for McBryde. Before embarking on her world tour, McBryde spent some of 2023 touring with Jelly Roll, CMA’s New Artist of the Year. “When we got on tour, he said to me, ‘You’ll never feel more at home anywhere than you will on my tour.’ This rang true for his audience, especially being someone who’s covered in tattoos in country music, where being tall and blond and pristine is standard. And I’m short and brunette and covered in tattoos.”

McBryde wants to return that sense of belonging to her audience — to every person. “I want people in active addiction in my crowd. I want people in recovery in my crowd. These are the people that will stick to the devil they know. These are the guys and girls going nowhere. They’ve been told this. They’ve been told they’re pieces of shit by their teachers, their coworkers, their spouses in some cases, and their parents. That’s who I want to sing to.”

When talking about performing her song “6th of October,” McBryde says, “When we sing, ‘Reckless hearts, the tattered and bruised ones, the slightly confused ones, the ones holding stools down in bars, will show up and find us and gently remind us to not be afraid of our scars and who we are.’ That is my favorite thing to watch. When the audience closes their eyes and turn their head to the side and sing ‘slightly confused ones,’ they are in that moment admitting that’s them or recognizing that’s somebody close to them. And that’s a gift that we can’t just give on our own. That’s only through the power of song and live performance that we can offer them just a couple milliseconds of peace.”

McBryde doesn’t just sing to her audience — she commits to deeply connecting with them, even if they cannot hear her voice. She recently began signing lyrics and phrases on stage. After surgery on her vocal cords, she couldn’t speak for weeks, so McBryde learned enough American Sign Language for necessities, like water and food. “I’m still learning, and sometimes slowly,” she says. “But it just became more and more apparent to me that one: I needed to learn more. And then I remembered we’ve got interpreters. And I thought it would be even cooler if I could thank the interpreters myself. And even better, can I thank my non-hearing and hard-of-hearing crowd? Because they’re there, or there wouldn’t be an interpreter. I want to thank them myself and say things like, ‘We see you, we’re happy you’re here, it’s nice to meet you, welcome to my show.’”

She was right — they were there. “The first reaction that really moved me was a lady at a show who said, ‘My sister is 62 years old and has been deaf her entire life and has been invisible her entire life. And you make me feel like she can be seen right now.’” It’s clear McBryde is committed to creating a community of inclusivity and belonging, and this is just one example.

On the inside of her left elbow is a tattoo of a devil staring into a rearview mirror, inspired by her latest album “The Devil I Know.” The album is filled with tender emotions, tough revelations, and the message of staying true to yourself, even when it’s not so pretty. “That’s the devil I know for sure,” she says. “And this really reminds me of my song ‘Blackout Betty,’ and one of the lines that is ‘I’m a real piece of shit sometimes.’ That’s not necessarily gorgeous, but it is true. And it doesn’t have to be pretty to be true. So, I know that bitch is still in the back seat, and she is ready to take over at any time.”

That fiendish passenger may still be in the back seat, but McBryde wouldn’t change a thing. “If I could go back and make it easier on younger me, her skin wouldn’t be as thick, and she wouldn’t be as strong as I get to be now.” It’s that mix of tough exterior, authenticity, and deep connection with audiences that keeps fans returning to the main stage.

Digital Age Dynamo – InkedMag


In the ever-evolving music industry universe, there are those rare talents that completely transcend boundaries. These days, artists who can utterly captivate audiences with their raw talent, creativity, and unapologetic individuality are few and far between. Doja Cat, born Amala Ratna Zandile Dlamini, is a shining example of such a rare character.

Breaking through the surface of the music industry, a product ushered in purely by the digital age, the Grammy Award-winning superstar planted her roots firmly in the SoundCloud scene before headlining an international arena tour. The tattoo-clad icon’s rise to global stardom is nothing short of extraordinary, indicative of her pure and unflinching star power.

Born and raised in the vibrant cultural hub of Los Angeles, Doja Cat’s upbringing was steeped in a rich pool of musical influences. With a childhood that found the star lost in the eclectic sounds of artists like Busta Rhymes, Erykah Badu, and Nicki Minaj, coupled with an enthralling passion for piano, Doja’s love of music and innate talent ignited a spark that would set the world on fire. These early influences laid the groundwork for pop-focused rap which the star finds herself consistently breaking records in today.

At 16 years old, Doja Cat made her mark on the music scene in 2013 with her first upload to SoundCloud, a platform that served as the launching pad for her historic rise to fame. From there, it wasn’t long before the star’s undeniable talent caught the attention of industry insiders, leading to a pivotal moment in 2014 when she officially signed with Kemosabe/RCA Records, setting the stage for her rapid ascent to stardom.

The release of her EP “Purrr!” and debut album “Amala” paved the way for Doja Cat’s burgeoning career, but it was her August 2018 single “MOOO!” that catapulted her into the mainstream consciousness. With its infectious beat and irreverent charm, “MOOO!” captured the attention of fans worldwide, earning critical acclaim and labeling Doja Cat as a rising star to watch.

Her sophomore album, “Hot Pink,” released in November 2019, further solidified her position as a musical powerhouse. Boasting more than 6 billion streams worldwide, the album showcased Doja Cat’s versatility as an artist, with hits like “Streets,” the soundtrack behind the viral Tik Tok Silhouette Challenge that blew up on everyone’s FYP during the COVID lockdown, and the Grammy-nominated “Say So” drawing in audiences and critics alike in record-breaking numbers.

In June 2021, Doja Cat released her Grammy Award-winning album “Planet Her,” a tour de force of creativity and innovation. Dominating the charts and generating a historic number of streams on Spotify, “Planet Her” is what solidified Doja Cat as a global superstar. Collaborations with fellow artists like SZA on the multi-platinum hit “Kiss Me More” further elevated her continuous influence and widespread appeal.

The release of her fourth and most recent studio album, “Scarlet,” in September 2023 marked yet another milestone in Doja Cat’s illustrious career. Featuring the smash hit single “Paint the Town Red,” which made history by becoming the first rap song to top the Billboard 200 chart since August 2022.

“Scarlet” showcased Doja Cat’s evolution as an artist and solidified her reputation as a trailblazer in the industry. A complete shift from her previous public persona, “Scarlet” is a horror-infused era for Doja. Shifting away from the divine femininity that simply oozes from “Planet Her,” “Scarlet” showcases the scarier side of the star. Once again, captivating the masses and maintaining a steady hold over pop culture and the A-list music industry she’s had for the better part of a decade.

Doja’s impact extends beyond music, as the pop culture icon recently brought tattoos to the forefront of the fashion and beauty industry during the 2024 Grammy Awards. Styled by Turkish-British designer, Dilara Findikoglu, the singer found herself gloriously drenched from head to toe in faux tattoos that peeked out beneath a sheer floor-length gown. This iconic look became arguably the most discussed appearance of the night, with Doja Cat garnering immediate praise for her boldness and individuality, further highlighting her fearless approach to self-expression. The highly decorated star continues to push boundaries and challenge the status quo, on and off the runway.

In 2024, Doja Cat shows no signs of slowing down. Recently treating fans to two electrifying singles: “n.h.i.e.” with British rapper 21 Savage and a feature on “Jeezu” with the multi-faceted artist Jeymes “The Bullitts” Samuel. Lending her production capabilities to the latter, “Jeezu” was featured in Samuel’s most recent cinematic foray, “The Book of Clarence” released in January 2024. These collaborations underscore her versatility as an artist and her unwavering commitment to pushing the boundaries of her craft.

Perhaps the most exciting news is the recent announcement of the U.K. and European dates for the Scarlet Tour 2024. Kicking off in June, Doja will grace the stages of iconic venues in cities such as London, Paris, and Amsterdam. And before embarking on her European adventure, she’ll captivate audiences at Coachella in April, solidifying her standing as one of the most sought-after performers in the world.

As Doja Cat prepares for this new chapter of her journey, her dedication to her craft and her fearless approach to self-expression continue to inspire fans and fellow artists alike. With each step, she reaffirms her status as a true visionary in the world of music, leaving a scarlet mark on the hearts and minds of all who have the pleasure of experiencing her artistry firsthand.

Singing for the Misfits – InkedMag


We’re all looking for somewhere to belong. It’s human nature: we need connection, community, and belonging to maintain our well-being. In a world where authenticity can sometimes feel elusive, Ashley McBryde is the lighthouse we’re all searching for. Through her vocals, raw storytelling, and direct actions, she champions the importance of belonging and community, fostering connections that transcend beyond the music industry.

McBryde is one of the most acclaimed country artists to emerge within the past few years. She received six Grammy Awards nominations with one win, one Country Music Awards (CMA) trophy, three Academy of Country Music (ACM) awards, and one nomination for a Daytime Emmy. With success like that, it’s easy to enter a self-obsessed bubble. But McBryde is still badass and a true girl’s girl. She sets the record straight:I know it can seem like women in country music are catty. We are not. We want you here. We party together. Come on over.”

Growing up as the youngest of six kids, music was always part of McBryde’s life. “I’ve been singing since I was old enough to know that they were throwing shoes at me trying to get me to shut up,” she jokes. With influences like Dolly Parton, Patty Loveless, and Trisha Yearwood, McBryde was surrounded by powerhouse female artists who shaped her musical journey.

McBryde found belonging in music, in storytelling, and with audiences. “I remember when I was little, I was really shy and I didn’t want to talk to people, but I could sing to them,” she reflects. Music has served as a gateway to human connection for McBryde. Before embarking on her world tour, McBryde spent some of 2023 touring with Jelly Roll, CMA’s New Artist of the Year. “When we got on tour, he said to me, ‘You’ll never feel more at home anywhere than you will on my tour.’ This rang true for his audience, especially being someone who’s covered in tattoos in country music, where being tall and blond and pristine is standard. And I’m short and brunette and covered in tattoos.”

McBryde wants to return that sense of belonging to her audience — to every person. “I want people in active addiction in my crowd. I want people in recovery in my crowd. These are the people that will stick to the devil they know. These are the guys and girls going nowhere. They’ve been told this. They’ve been told they’re pieces of shit by their teachers, their coworkers, their spouses in some cases, and their parents. That’s who I want to sing to.”

When talking about performing her song “6th of October,” McBryde says, “When we sing, ‘Reckless hearts, the tattered and bruised ones, the slightly confused ones, the ones holding stools down in bars, will show up and find us and gently remind us to not be afraid of our scars and who we are.’ That is my favorite thing to watch. When the audience closes their eyes and turn their head to the side and sing ‘slightly confused ones,’ they are in that moment admitting that’s them or recognizing that’s somebody close to them. And that’s a gift that we can’t just give on our own. That’s only through the power of song and live performance that we can offer them just a couple milliseconds of peace.”

McBryde doesn’t just sing to her audience — she commits to deeply connecting with them, even if they cannot hear her voice. She recently began signing lyrics and phrases on stage. After surgery on her vocal cords, she couldn’t speak for weeks, so McBryde learned enough American Sign Language for necessities, like water and food. “I’m still learning, and sometimes slowly,” she says. “But it just became more and more apparent to me that one: I needed to learn more. And then I remembered we’ve got interpreters. And I thought it would be even cooler if I could thank the interpreters myself. And even better, can I thank my non-hearing and hard-of-hearing crowd? Because they’re there, or there wouldn’t be an interpreter. I want to thank them myself and say things like, ‘We see you, we’re happy you’re here, it’s nice to meet you, welcome to my show.’”

She was right — they were there. “The first reaction that really moved me was a lady at a show who said, ‘My sister is 62 years old and has been deaf her entire life and has been invisible her entire life. And you make me feel like she can be seen right now.’” It’s clear McBryde is committed to creating a community of inclusivity and belonging, and this is just one example.

On the inside of her left elbow is a tattoo of a devil staring into a rearview mirror, inspired by her latest album “The Devil I Know.” The album is filled with tender emotions, tough revelations, and the message of staying true to yourself, even when it’s not so pretty. “That’s the devil I know for sure,” she says. “And this really reminds me of my song ‘Blackout Betty,’ and one of the lines that is ‘I’m a real piece of shit sometimes.’ That’s not necessarily gorgeous, but it is true. And it doesn’t have to be pretty to be true. So, I know that bitch is still in the back seat, and she is ready to take over at any time.”

That fiendish passenger may still be in the back seat, but McBryde wouldn’t change a thing. “If I could go back and make it easier on younger me, her skin wouldn’t be as thick, and she wouldn’t be as strong as I get to be now.” It’s that mix of tough exterior, authenticity, and deep connection with audiences that keeps fans returning to the main stage.

An Original, Original  – InkedMag


Located on the Sunset Strip, Mark Mahoney’s Shamrock Social Club might be best described as a place where the elite and the underworld meet. A hangout for his celebrity friends, or a drop-in for anyone looking to ink an occasion with his classic black and gray aesthetic. The shop might as well be a confessional as those who sit and listen to his calm, cool drawl call him “Priest.”

The first time he walked into a tattoo shop at 14 years old, he knew he wanted to spend his life as a tattoo artist. The look, smell, artwork, and groups of outsiders always appealed to him.

“I was always attracted to counterculture,” Mahoney said.

Born and raised near Boston, Mahoney left art school in the mid-70s with his eye on Manhattan. He spent time tattooing bikers and outlaws before he met his people at the Chelsea Hotel. He once beat up a member of the Ramones at CBGB, and got stoned with William Burroughs and Allen Ginsburg before seeing his friend Nancy Spungen off to London. When she came back, she brought Sid Vicious.

Inkedshop

He moved to LA in 1980 and made friends with punk rockers and gangbangers. He ran with movie stars and musicians, and shot dope with intellectuals and degenerates. He’s a dying breed of 100% true originals and calls Johnny Depp, Lady Gaga, and Lana Del Rey friends.

He landed roles in a few movies, including playing a cool, Catholic, well-dressed man of many talents — not much of a stretch from his roots when he looked up to local heroes, gangs, and villains in his neighborhood. He thought about the priesthood as a young man, saying his prayers, following most rules, and trying to live up to expectations as a New England-born boy who loved motorcycles, leather jackets, and greasers from car magazines.

Most people will tell you his reputation and caring spirit extend beyond the famous to the infamous and unfamous alike. His shop is like a clubhouse for anyone looking to mark the good, bad, and ugly chapters of their lives. Mahoney sets the blueprint of what is cool and is a muse for creatives all over the world. If you’ve been in a tattoo shop recently, it’s probably built around the framework he and his colleagues laid down in the past half-century.

After almost 50 years of work, he routinely visits and catches up with old friends, even tattooing their children and grandchildren — imparting wisdom on ways to connect, meet likeminded people, sit, listen, and talk. “I think they keep coming back because I give a fuck,” Mahoney said. “Their pain is my pain; their joy is my joy.”

Inkedshop

The shop is decorated with images of hope and faith: relics of a time gone by, a quote overlooked, and a tribute to his Catholic upbringing. Faith plays a big role in his life, and he never gives up on the idea — putting all his trust and confidence into something underground, misunderstood, and illegal until not that long ago.

Mahoney has a lot of reasons to love his job. His shop is in the middle of Hollywood, along one of the most iconic strips in the world. He spends time with people who kept coming back and are now lifelong friends. He goes to work every day, does his job, and makes a living, but doesn’t consider himself an artist and isn’t concerned with the art side of his pursuits. He sees his single-needle, black-and-gray designs the same as he sees black-and-white photography or movies: an idea etched in time that gets softer and more beautiful. 

“I think black and gray ages more gracefully,” Mahoney said. “It has more drama to it.”

The clubhouse moved from its original location to 1114 Horn Ave in West Hollywood, just down the strip. Mahoney also started a clothing line called the Shamrock Social Club Collective that features his original designs screen printed on classic styles, the type of clothing you might expect anyone to wear in a tattoo shop.

Mahoney continues to keep tattoos affordable for everyone, not opting for a private studio and thousand-dollar designs. He’s still a modest tattooer inspired by the beauty he sees all around him. He believes in friendships, family, and the power to connect with clients over the good times, hard times, and everything in between.

“Tattoos are a joint effort,” Mahoney said. “Connection is the most important part.”

Don’t let the alligator shoes and vintage Cadillacs fool you — Mahoney believes in the power of connection; it’s what keeps him coming back. He’s one of the original outsiders, teaching the next generation and beyond about the power of being yourself, staying true, and authentic, and not following trends. When you lived through the 70s punk scene, the obnoxiousness of the 80s, and the death of originality, you look for what’s real, with true friends.

Appointments can be made by contacting the Shamrock Social Club at 310-271-9664. There is a bit of a waitlist, but you can expect the highest quality work, the finest conversation, and, if you’re up for it, a place to confess all your sins. Then, just sit back, watch a master, pay your respects, and believe in that power that faith brought you together with the Godfather.

A Glimpse into the Future


Prior to the late 1990s, tattoo culture primarily existed on the outskirts of the mainstream. A badge of honor amongst sailors in the U.S. Navy and cultural subgroups, as well as an artistically rebellious symbol of expression for curators of punk, metal, goth music, and more. Subsequently, during the 2000s, the painfully enticing trend of getting inked transcended emo, hip-hop, the NBA, Hollywood, and the corporate world. Near the turn of the 2020s, a number of tech companies began implementing inventive ways of tatting up their clientele with new software, 3D tattooing, eco-friendly methods, and more. In November, Blackdot, a tech company based in Austin, Texas, introduced the “V1 Device” as part of a game-changing initiative that also includes an online tattoo marketplace where consumers can purchase signature designs from entrepreneurial-minded artists all over the world. Blackdot’s V1 Device generates body art in high definition, utilizing an unprecedented technique that serves as a fresh alternative to modern wireless tattoo machines and traditional hand-tapping methods. The future is here. But, according to the company’s CEO/Founder Joel Pennington, it should not deter tattoo enthusiasts and artists who view the time-honored process as a rite of passage.

“Blackdot is not a substitute for the experience found by way of various traditional tattooing methods,” explained Pennington. “Instead, Blackdot offers an entirely different tattooing experience; it’s an interesting option for tattoo seekers looking for something new and forward-looking…The Blackdot device can be thought of as a futuristic stick-and-poke device whereby each dot that we tattoo is intentional…We use continuous suction for ink removal and are therefore able to tattoo without the need to wipe-think-tattoo-repeat.”

Inkedshop

Alongside Pennington at the forefront of the Blackdot technocentric movement is the company’s Chief Technology Officer Yan Azdoud. The pair of business partners met in 2017 after Pennington took on a mentorship role with a startup established by Azdoud called Project Canary. This experience gave Pennington an up close and personal view of Azdoud’s penchant for navigating scientific principles. It also sparked a resolution about how their ideals in the tech world could add a new dimension to the tattoo industry.

“After the three-month program, I debriefed with Yan Azdoud,” recalled Pennington. “Yan had a great deal of experience with hyper-elastic surfaces, medical devices, and mechanical design–he was uniquely qualified to help bring my vision to fruition.”

Shortly thereafter, Blackdot entered a developmental phase that lasted nearly half a decade. Two years into the stealth period, during the Summer of 2019, the company administered its first-ever tattoo on human skin. In addition to presenting Blackdot’s inaugural recipient with hi-res body art, Pennington wanted to ensure that the gift from his company also came with quality that would stand the test of time without the common necessity of tattoo retouching.

Inkedshop

“Our first human tattoo was executed on a gentleman named Chris Harvey,” Pennington said. “We then developed the first version of our automated tattooing device (the V1), followed by the commercially viable version we’re using today—the V1c… Blackdot is able to minimize the discomfort associated with tattooing. As for healing, we use a slim needle and do not tattoo deeper than necessary. We’ve conducted [more than 90] tattooing sessions over the past five years and have never caused bleeding or scarring.”

Today, Blackdot is fully operational with plans to expand to major U.S. cities like Los Angeles, New York, Miami, and Las Vegas. In recent years, these regions have hosted some of the biggest live events in sports entertainment, from Super Bowl LVI, WrestleMania 39, and Rolling Loud to ComicCon, EDC, and the Met Gala. During his exclusive interview with Inked Magazine, Pennington floated the idea of teaming up with notable fashion lines to provide attendees at similar affairs with customized body art ranging from the song lyrics of iconic recording artists to Marvel Comics’ sketches and skateboard decks from old-school skaters. For now, shoppers can purchase their next tattoos at the company’s flagship location in Austin, Texas, or remotely through the Blackdot Certified Artist Program. The BCA allows online shoppers to survey Flyway designs drawn by prominent visual artists such as Tyler Hobbs and other notable creators.

Kevin Rose, a California-based entrepreneur, recently stopped by Blackdot’s headquarters where he became one of the first costumers to procure Hobbs’ signature Flyway design. The on-camera session depicted the founder of Revision3 resting comfortably in an exam chair while the V1 Device tattooed the image of three birds on his inner right arm. As for the founder of Blackdot? Pennington suggested that the next time he is under the V1 Device, he will get a tattoo that combines the love of his youngest daughter, Naiya, with his admiration for the Smashing Pumpkins. Pennington and his staff met up with Jimmy Chamberlin and Jeff Schroeder from the two-time Grammy Award-winning band in the Winter of 2022 after being given backstage access. 

“I found myself sitting on the couch beside [Schroeder], a Pumpkins guitarist,” Pennington said. “I struck up a conversation and eventually asked if I might show him some tattoo designs made by my young daughter…His favorite was the dragon holding the guitar. He let me take a photo of him holding the drawing and signed the back of it. Naiya would be thrilled. I looked up to see my team was already chatting with [Chamberlin]…They were discussing how he might potentially be able to help Blackdot…I later showed [Chamberlin] Naiya’s designs and asked him the same question. He also went for the dragon holding the guitar and signed the back of it. Naiya’s drawing of a dragon holding a guitar, affectionately referred to as ‘The Pumpkins-approved tattoo,’ is likely my next tattoo.”

Blackdot was made with advanced technology. But if Joel Pennington’s company grows into a well-known commodity, it will likely be due to principles based on diversity, where everyday people and his kids have input just like his business partners and favorite Rock stars.

Dynamic Duos – InkedMag


When it comes to footwear, everyone has their favorite designers. But what happens when two of your favorite designers collaborate to create something entirely new?  Well, you don’t have to wonder. We’ve curated a collection of shoe designs from top names you’ll recognize, like Nike, Louis Vuitton, Tifffany & Co, Porsche, Prada, Gucci and more. While having one designer is great, having two of them pair up is even better.

 

Dior x Air Jordan 1 High

Introduced in 2020, this high-demand design was produced in limited quantities. Bridging the gap between street-ready sportswear and luxury fashion, the Dior x Air Jordan 1 High is drawn from a larger collaboration that spans footwear, apparel and accessories. Designer Kim Jones’ take on the iconic sneaker makes use of a white and grey upper constructed from Italian leather with hand-painted edges. Dual branding elements take the form of a Dior woven tongue tag, a Nike Swoosh in Dior Oblique jacquard, and icy outsoles revealing a Dior and Dior Wings logo on each shoe.

 

Louis Vuitton x Nike Air Force 1 by Virgil Abloh

Designed by Virgil Abloh, former artistic director of Louis Vuitton’s ready-to-wear men’s line, this shoe was introduced at the French luxury fashion house’s Spring 2022 men’s runway show. This collaborative design is constructed with premium calf leather and features the luxury brand’s signature logos and prints. Abloh’s signature touches are also present on the sneakers, including the side tongue tag, text on the shoelaces and dual “Air” branding on the midsole.

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Nike x Tiffany & Co.

The Nike/Tiffany Air Force 1 1837 is crafted in premium black suede with a Tiffany Blue® Swoosh and archival Tiffany logo on the tongue. A foam midsole, rubber outsole and Tiffany Blue®-accented pivot points define the shoe, which comes with black rope laces as well as three pairs of flat laces in Tiffany Blue®, yellow and white. All Nike/Tiffany Air Force 1 1837 shoes arrive in a co-branded Tiffany Blue® box.

Comme des Garçons x Converse

Cool vintage style elevates a street-ready sneaker stamped with a peekaboo heart and set on a red sole. This collaboration between Comme des Garçons PLAY and Converse features classic Chucks styling with a playful, quirky twist—thanks to the imaginations of New York graphic artist Filip Pagowski and Comme des Garçon’s own designer Rei Kawakubo. The shoe has a removable insole, textile upper and lining and a synthetic sole.

 

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Porsche x PUMA “Icons of Fast”

Porsche and PUMA collaborated on this limited-edition shoe series inspired by the 911 Turbo to honor the sports car in a whole new way. To introduce the design, they launched “The World’s Fastest Sneaker Pre-Release” that lasted just 2.7 seconds, the 0-60 time of the 2021 Porsche 911 Turbo. The shoe is inspired by iconic design elements from the 911 Turbo, such as period-specific paint colors, rear wings and body lines.

 

Prada x adidas Superstar

The PRADA adidas Superstar first launched in 2019 alongside the Italian fashion house’s bowling bag, marking an historic moment for shoe collaborations. In 2020, the Superstar was launched in two colorways: the Core White/Core Black/Core White and the Core Black/Core Black/Core Black. The shoes are handmade in Italy in fine full grain leather and they feature the iconic rubber “shelltoe” with the iconic typography featured on the upper, tongue and insoles. 

 

Tom Sachs x Nike “Archive”

New York-based contemporary artist Tom Sachs designed this shoe based on his ongoing research into how “our bodies meet the ground.” The low-top design sports a yellow mesh upper with tonal suede overlays and a contrasting white Swoosh. Orange webbing tabs at the tongue and heel make it easy to put the shoes on and take them off. The cream-colored rubber midsole contains an EVA wedge for lightweight cushioning, while a black waffle-traction rubber outsole yields optimal grip. Marketed as a “General Purpose Shoe,” each pair comes in a box covered in Sachs’ signature hand-drawn doodles.

Adidas x Gucci “Gazelle”

The adidas Gazelle was introduced in several colorways, including pairs that feature snakeskin, suede, leather, Gucci-inspired prints and velvet G-monograms. Each pair sports semi-translucent gum rubber soles, Gucci branding on the lateral side, and co-branding on the tongue, heel and insoles. Other details include gold foil Gazelle text on the lateral panel and Gucci lace tips. Each pair comes with special packaging.

Lusso Cloud x Tattooing Legend Bert Krak

Bert Krak lends his signature style to the Pelli, Lusso’s signature shoe. The most versatile option in the lineup, the Pelli offers unmatched comfort, including its innovative Triple Stack Technology, which features three cushioning layers for excellent bounce back. It also contains a breathable performance mesh lining that is incredibly soft to the touch. Designed by tattooing legend Bert Krak, these shoes feature unique yet complementary asymmetrical designs on Pelli’s signature waffle knitting in a neutral beige hue. Each shoe is adorned with one of two of Krak’s captivating designs—either a snake with a bird or a vibrant flock of birds.

Michela’s Tattoo Dos & Don’ts | INKED


Tattoo artist, Michela, shares some of her dos and don’ts when it comes to tattooing, and being tattooed including eyeball tattoos.
Source from https://www.youtube.com/watch?v=rcvu6s1YMPw